Text size
  • Small
  • Medium
  • Large
Contrast
  • Standard
  • Blue text on blue
  • High contrast (Yellow text on black)
  • Blue text on beige

    Are digital picturings representations?

    Electronic Visualisation and the Arts (EVA 2010)

    London, UK, 5 - 7 July 2010

    AUTHORS

    Annamaria Carusi, Gordana Novakovic and Timothy Webmoor

    ABSTRACT

    The philosopher of art Roger Scruton has claimed that photographic images are not representations, on the basis of the role of causal rather than intentional processes in arriving at the content of a photographic image (Scruton, 1981). His claim was controversial at the time, and still is, but had the merit of being a springboard for asking important questions about what kinds of representation result from the technologies used in depicting and visualising. In the context of computational picturing of different kinds, in imaging and other forms of visualisation, the question arises again, but this time in an even more interesting form, since these techniques are often hybrids of different principles and techniques. A digital image results from a complex interrelationship of physical, mathematical and technological principles, embedded within human and social situations. This paper consists of three sections, each presenting a view of the question whether digital imaging and digital visual artefacts generally are representations, from a different perspective. These perspectives are not representative, but aim only to accomplish what Scruton’s paper did succeed in accomplishing, that is, being a provocation and a springboard for a broader discussion.

    PAPER FORMATS

    PDF filePDF Version of this Paper (195kb)

    EVA 2010: Electronic Visualisation and the Arts cover

    Print copies of EVA 2010
    ISBN 978-1-906124-65-6
    RRP £85

    Available from the BCS bookshop