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    Checking Creativity: Machines, Media and Mathematics in Early Computer, Serial and Conceptual Art

    EVA Copenhagen 2018 - Politics of the Machines - Art and After

    Aalborg University, Copenhagen, Denmark, 15 - 17 May 2018

    AUTHORS

    Michael Rottmann

    ABSTRACT

    http://dx.doi.org/10.14236/ewic/EVAC18.2

    Around 1960 digitalisation and computers started to spread through American society and in their wake came a reappraisal of machines: from a production method to a means of innovation. This art historical case study aims to show that mathematical machines were used in early computer, serial and conceptual art not only to explore their aesthetic potential and the media involved. Machines in art of the period also conjured the interplay of the human and machine in creative processes and thus examined creativity itself within human-machine networks. Comparison of these art forms delivers a surprising insight: although one can assume for all three art movements affinity for the idea and thinking, one encounters ambivalence and criticism concerning logical machines and their creative potential. Paradoxically put, with mathematical machines and critical algorithmic practices, some artists turned against a kind of “machine thinking”.

    PAPER FORMATS

    PDF Icon PDF Version of this Paper 1,057(kb)